Showing posts with label Complete. Show all posts
Showing posts with label Complete. Show all posts

Sunday, April 29, 2012

Mozart: Complete Piano Concertos

Mozart: Complete Piano Concertos

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Post Date : Apr 29, 2012 15:42:08
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Mozart: Complete Piano Concertos

Mozart: Complete Piano Concertos

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Friday, April 20, 2012

The Complete Bach Edition

The Complete Bach Edition

The Complete Bach Edition
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Post Date : Apr 20, 2012 02:45:07 | Usually ships in 24 hours

The Complete Bach Edition

Teldec's monumental COMPLETE BACH edition, released in July 1999 as BACH 2000, was the first complete edition of all Johann Sebastian Bach's compositions. The culmination of 41 years of recording, COMPLETE BACH, which consists of 153 CDs, appeared exactly a year before the 250th anniversary of Bach's death and has been called by La Republica 'the most ambitious project the record industry has ever conceived.' Gramophone wrote, 'COMPLETE BACH will provide you with a lifetime's exalted listening, invariably presented with love, enthusiasm and conscientious musicianship.'


Artists include: Nikolaus Harnoncourt, Gustav Leonhardt, Concentus musicus Wien,
Ton Koopman, Il Giardino Armonico, Andreas Staier, Michele Barchi, Luca Pianca, Werner Ehrhardt,
Bob van Asperen, Arnold Schoenberg Chor, Rundfunkchor Berlin, Tragicomedia, Thomas Zehetmair, Glen Wilson,
Christoph Prégardien, Klaus Mertens, Barbara Bonney, Thomas Hampson, Herbert Tachezi, Frans Brüggen and many others ...


153 CDs in 12 Volumes, with a bonus DVD featuring the documentary from the BBC TV series 'Great Composers'

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Thursday, March 29, 2012

Complete Beethoven Edition

Complete Beethoven Edition

Complete Beethoven Edition
Complete Beethoven Edition

Rate : | Price : $149.99 | Post Date : Mar 29, 2012 22:30:08
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Monday, March 12, 2012

Complete Duo Recordings

!±8±Complete Duo Recordings

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Post Date : Mar 12, 2012 06:51:12
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Although Argerich has participated in numerous musical partnerships, not to mention her longtime mentoring of young artists, her associations with violinist Gidon Kremer and cellist Mischa Maisky are surely among the pianist's most substantial and musically rewarding collaborations. The present collection includes all of the Argerich/Kremer and Argerich/Maisky duo recordings for Deutsche Grammophon as originally released and in chronological order, allowing listeners the opportunity to trace each duo's evolution in terms of artistic rapport, sensitivity, risk-taking and the fine tuning of nuance.

Any discussion of Beethoven's violin sonatas (CDs 1, 4, 9 & 10) must address the fact that the composer did not designate these works as being "for violin and piano". For example, the first published edition of the "Spring" Sonata op. 24 from October 1801 reads "Sonate pour le Piano Forte," in large letters, followed in smaller print by "avec un Violon." Similarly, the title-page of the first edition of the "Kreutzer" Sonata op. 47 from April 1805 reads "Sonata per il Piano-forte ed un Violino obligato." None of this should be taken to mean that the violin writing plays "second fiddle" to the piano part, so to speak, but rather that both instruments carry equal weight within the musical discourse.

Argerich and Kremer understood this from the start of their recorded Beethoven encounters, originally intended as part of a series encompassing all the violin sonatas, the music for cello and piano with Maisky, plus the five piano concerti with Giuseppe Sinopoli and the Philharmonia Orchestra (in the end, Argerich and Sinopoli recorded only the First and Second Concertos). Initially Argerich expressed apprehension about recording Beethoven, lest her readings might sound self-conscious under the microphone's objective, unforgiving scrutiny. Yet, during an interview conducted prior to the cycle's final sessions, both Argerich and Kremer spoke of using the recording process to look for the unexpected. "It was an inspired idea to match (Argerich) against a violinist so unpredictable as she is herself," wrote Edward Greenfield in Gramophone, "for though there is nothing `safe' about these interpretations, and not everyone will respond to their sparkling, volatile qualities, the liveness of the experience is undeniable."

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